Archives for the ‘Blog Entries.Local’ Category

The Overnighter: A Bold Cocktail and Cigar Pairing

Author: From http://www.musingsoverabarrel.com/ • Jul 27th, 2026
   Category: Blog Entries.Local
The Overnighter cocktail is a four-ingredient drink that’s right up my alley as a fan of bitter and sweet combinations. It’s a flavorful, well-balanced cocktail that’s every bit as enjoyable as it is easy to make.


The Overnighter
  • 1.5 oz Rye Whiskey
  • .75 oz 22.5 ml Campari
  • 1 oz Dry Vermouth
  • .25 oz Bénédictine
  • Orange wheel for garnish
Combine the liquid ingredients in a mixing glass with ice and stir until well chilled. Strain over a large ice cube into a rocks glass and garnish with the orange wheel. Some recipes call for a smoked orange wheel, which would undoubtedly add another layer of complexity.

I used 90-proof Sazerac Rye for my drink. The Overnighter is moderately strong and meant to be sipped slowly, allowing its contrasting bitter and sweet notes to unfold with each taste.

I’ve seen some versions of the recipe call for ¾ ounce of Bénédictine. I tried one using ½ ounce and found the resulting drink a bit too sweet for my taste. The quarter-ounce measure keeps the herbal liqueur in balance, adding depth without overwhelming the other ingredients.

A bold cocktail like the Overnighter calls for an equally bold, well-balanced cigar. I reached for the El Pulpo by Artesano del Tobacco, a cigar I’ve enjoyed often and was one of my favorite cigars of 2025.



The cigar’s rich notes of dark chocolate, black coffee, and roasted nuts paired beautifully with the Overnighter. It had been a while since I’d smoked an El Pulpo, despite still having an unopened box resting in the humidor. This smoke served as a welcome reminder to crack open that box in the near future.

Cheers!


Toasted Oak, a Cigar, and a Summer Evening

Author: From http://www.musingsoverabarrel.com/ • Jul 25th, 2026
   Category: Blog Entries.Local
Not long ago, a friend recommended Elijah Craig Toasted Barrel Bourbon to me. Knowing we share a similar appreciation for well-crafted bourbons, it seemed like a recommendation worth following. During a recent it out of state road trip, I made a quick shopping stop and spotted a bottle on the shelf. Even though it’s readily available at home, I picked it up while the recommendation was still fresh in my mind.

I cracked open the bottle one evening last week and enjoyed a pour while relaxing indoors. After an evening with the bourbon on its own, the question became which cigar would best complement its rich toasted sweetness.



We’ve enjoyed a brief respite from the summer heat over the past few days, making time on the porch with a cigar and bourbon especially enjoyable. It also provided the perfect opportunity to pair the Elijah Craig with an E.P. Carrillo Pledge Purple.

Elijah Craig Toasted Barrel Bourbon uses the same mash bill as several of Heaven Hill’s other bourbons. The change occurs in the finishing process. After the usual maturation process, the bourbon spends additional time in a second, custom-toasted new oak barrel. The lighter toast is said to emphasize sweeter, dessert-like flavors rather than the deeper oak influence associated with a heavier char. The bourbon is bottled at 94 proof.

The aroma from the glass is quite rich, with delightful notes of caramel, vanilla, oak, and even some chocolate. The first sip brings baking spices. They soon give way to toffee and caramel, along with lightly toasted wood. The finish lingers with cocoa, oak, and a pleasing hint of smokiness. From the start, I was thinking not only of suitable companion cigars, but also that the toasted bourbon would make a great Old Fashioned.



The E.P. Carrillo Pledge Purple has been sitting in the humidor since I purchased a box in March. The Purple was created to commemorate the fifth anniversary of the highly regarded Pledge line. It uses the same Havana-seed Connecticut wrapper from that original crop which has now been aged an additional five years. Beneath that well-aged wrapper lies a Mexican binder and Nicaraguan fillers from Estelí, Condega, and Ometepe. The Toro vitola is sharply boxed and measures 6 x 54. 

The Pledge Purple profile is complex yet refined and balanced. Throughout the smoke, a blend of cedar, roasted nuts, espresso, cocoa, and mild spice treat the taste buds. The overall impression is creamy and earthy, with a mild natural sweetness to balance the bitter notes.



Enjoyed together, the caramel and toasted notes of the bourbon seemed to accentuate the natural sweetness of the cigar’s aged wrapper. Each leaves a lingering finish that complements the other. Though the bourbon and cigar offered contrasting flavor profiles, they remained remarkably balanced. Neither dominated the pairing, allowing each to complement the other while retaining its own distinct character.

Throughout the 90-minute smoke, I also delighted in the welcome weather. A July evening with temperatures below 80° and humidity under 50 percent provided the perfect backdrop for the pairing. It proved to be one of those evenings where neither the cigar nor the bourbon demanded center stage. Instead, each quietly elevated the other, making for an exceptionally relaxing summer evening.

Cheers!


A Pairing Rooted in Tradition

Author: From http://www.musingsoverabarrel.com/ • Jul 23rd, 2026
   Category: Blog Entries.Local
Perhaps I’ve been feeling nostalgic about our visits to Italy, or perhaps the warm summer evenings have simply had me reaching for lighter, shorter cigar and beverage pairings. Whatever the reason, I’ve been enjoying sipping various amari and other digestif-style beverages after dinner. On one recent evening, I reached for a bottle of Amaro Nonino Quintessentia. Fittingly, I paired it with a Toscano Antico.

Amaro Nonino is an Italian herbal liqueur built on a base of grappa, the grape-pomace spirit for which the Nonino family is renowned. The grappa is infused with a wide assortment of herbs, flowers, bark, and roots before being refined with aged Nonino grape distillate.



The amaro offers a pleasing balance of sweetness and bitterness, with the sweeter notes holding a slight edge. Orange peel, honey, alpine herbs, and a gently bitter marmalade note lead the profile. Though most often served as a digestif, Amaro Nonino is also consumed as an aperitif, most often in a cocktail such as the Amaro Nonino Spritz or a Paper Plane.

Whenever we visit Italy, one of my first stops is a tabaccheria to pick up a few Toscano cigars. Inevitably, a handful make the trip home with me. The Toscano Antico featured here has been resting in my humidor since our Fall 2024 visit.

Toscano Antico is one of the bolder smokes in the Toscano lineup. The wrapper is made from select North American Kentucky, fire-cured for over 30 days using hickory and oak. The binder leaves are a blend of Italian Kentucky, primarily from Tuscany, and North American Kentucky grown in Kentucky and Tennessee. The North American wrapper and extended aging produce a more assertive smoke than classics such as the Toscano Classico.

A Toscano Antico enjoyed alongside Amaro Nonino Quintessentia makes for more than a harmonious pairing. It feels rooted in tradition. Sipping an Italian amaro while smoking Italy’s iconic fire-cured cigar evokes a shared heritage that extends well beyond flavor.



Neither is particularly sweet, nor aggressively bitter. Instead, each occupies the broad middle ground where wood, herbs, spice, and restrained sweetness overlap. Together, they create a pairing that feels unmistakably Italian.

The Toscano Antico opens with the unmistakable aroma of fire-cured Kentucky tobacco. Campfire smoke, toasted oak, black pepper, and dry earth establish a rustic foundation that is bold without becoming harsh. As the cigar settles, notes of leather, roasted walnuts, bitter cocoa, and espresso emerge, adding depth while retaining its characteristically savory profile.

The initial flavors of this particular cigar were softer than I remember from freshly purchased examples. That gentle rounding of the profile is exactly what I expected after two years of rest, as the flavors have had time to meld and mellow.

The first sip of the Amaro Nonino introduced orange peel, honey, alpine herbs, and warm baking spices to the mix. The honey lends just enough sweetness to soften the sharper edges of the Kentucky tobacco.

One of the more surprising aspects of the pairing is how it changes both components. The cigar becomes slightly rounder and more refined, while the amaro loses much of its perceived sweetness, revealing additional layers of herbs and spice. 

As with my earlier pairing of Southern Draw Evening Primrose and Amaro Montenegro, I found that those moments are what make pairing cigars with amari so enjoyable. Neither simply accompanies the other; rather, each subtly reshapes the experience of the other. Discovering those changes is part of the pleasure.



Midway through the smoke, the cigar truly hits its stride. Deeper cocoa and espresso notes emerge. The interplay of bitter cocoa and espresso from the cigar complements the orange marmalade, toasted oak, vanilla, and herbal complexity of the amaro. Even in the finish, the flavors linger on the palate with lasting wood smoke, herbs, citrus, and sweet nuts.

As the cigar neared its end, nearly ninety minutes after lighting, roasted wood and black pepper reached their peak. The warm herbs and bright citrus of the Nonino refreshed the palate, keeping the final third from becoming heavy.  

I found myself slowing down, allowing several minutes between draws and small sips. The Toscano Antico burned slowly and steadily, requiring little attention beyond simply savoring the flavors.

Toscano Antico and Amaro Nonino proved to be an exceptionally satisfying after-dinner combination. More than simply complementing one another, they captured something of the relaxed rhythm of evenings we’ve enjoyed in Italy.

As the sun slowly disappeared beyond the trees, I found myself thinking once again of the sunsets over the canals of Venice. While I may have been sitting on a screened porch in rural Virginia rather than beside an Italian canal, for an hour and a half, the pairing brought those memories pleasantly back to life.

Cheers!


I quit RSS. Kind of.

Author: From https://chrisod.weblog.lol • Jul 21st, 2026
   Category: Blog Entries.Local

I quit RSS. Kind of.

A month ago, I read an article from someone who had quit RSS and gone back to visiting blogs one by one. It stuck with me. A little poking around revealed that the old Live Bookmarks feature of Netscape/Mozilla/Firefox lives on as an extension. I imported my feeds into the LiveMarks extension.

So now I'm using RSS to see when new posts are available on a blog, but to read them I'm clicking through to the blog itself.

I think I like this approach.



I quit RSS. Kind of.

Author: From https://blog.odonnellweb.com • Jul 21st, 2026
   Category: Blog Entries.Local

I quit RSS. Kind of.

A month ago, I read an article from someone who had quit RSS and gone back to visiting blogs one by one. It stuck with me. A little poking around revealed that the old Live Bookmarks feature of Netscape/Mozilla/Firefox lives on as an extension. I imported my feeds into the LiveMarks extension.

So now I'm using RSS to see when new posts are available on a blog, but to read them I'm clicking through to the blog itself.

I think I like this approach.



Summer Skies, a Bourbon Spritz, and a Fine Cigar

Author: From http://www.musingsoverabarrel.com/ • Jul 20th, 2026
   Category: Blog Entries.Local
For our Sunday afternoon aperitivo, Colleen’s usual warm-weather choice is an Aperol Spritz. I’ll often join her in that selection, but this time I was looking for something a bit bolder while still retaining the refreshing character of the classic. Enter the Bourbon Aperol Spritz.

I already had the ingredients assembled for the Aperol Spritz, so all I needed to do was reach for the bourbon and adjust the proportions slightly.


Bourbon Aperol Spritz
  • 1½ oz bourbon
  • 1 oz Aperol
  • 2 oz Prosecco
  • 1 oz club soda
  • Orange slice
Build the drink over ice, stir gently, and garnish with an orange slice.

The very first sip struck me as slightly out of balance, but the flavors quickly came together, perhaps helped by the slight dilution from the melting ice. With each sip, the drink became more harmonious and increasingly refreshing.

The finished cocktail is lighter and brighter than an Old Fashioned or even a Boulevardier, making it especially enjoyable during the summer months. The bourbon contributes notes of vanilla, caramel, and oak that are balanced nicely by Aperol’s bittersweet orange character and the effervescence of the Prosecco and club soda.

Naturally, I needed a cigar to accompany the spritz. Turning to the humidor, I selected an Oliva Serie V Melanio in the Robusto vitola.

This cigar was the last remaining from a box purchase and had rested loose in the humidor for more than two years. It showed a bit of damage to the foot and cap but was otherwise in excellent condition and performed flawlessly.



The Serie V Melanio proved an excellent companion to the cocktail. Its notes of cedar, cream, toasted nuts, and baking spices complemented the bourbon beautifully while allowing Aperol’s bittersweet orange character to remain prominent. The cigar’s creamy texture also paired especially well with the bourbon’s sweet vanilla and caramel notes.

As we sat and enjoyed our aperitivo, the skies alternated between bright sunshine and dark summer clouds, tempering the July heat. A brief shower finally arrived — lasting only a few minutes — but it cooled the air just enough to make the afternoon even more enjoyable. The Bourbon Spritz, the Oliva Serie V Melanio, and, of course, the light snacks alongside them all combined to make for a thoroughly pleasant afternoon on the porch.

Cheers!


The Dave Kline Band with Senator Tim Kaine

Author: From https://chrisod.weblog.lol • Jul 19th, 2026
   Category: Blog Entries.Local

The Dave Kline Band with Senator Tim Kaine

After Friday night's less-than-stellar experience, we tried again. Yep. It was a two-concert weekend for us. The day got off to a good start as I completed my first Bird Friendly Habitat Certification (not counting my own yard). So now we have two certified yards in Sandston! We got whacked by a severe thunderstorm around 4 PM and lost power around 4:15 PM. After a couple of hours with no power, I fired up the generator and plugged the fridge into it. It handled the fridge and saved me the hassle of trying to fill up coolers with ice and food. The power came back after about 5 hours while we were out.

So, back to the band. The Dave Kline band is an insanely talented jazz/blues/funk band, and I have no idea how Senator Kaine hooked up with them, but they play a few shows together every year. Kaine plays harmonica and sings, and he isn't bad. The theme for the night was celebrating Nelson Mandela's birthday, so all the songs centered around the concept of freedom. They started with Dave Kline doing his electric violin version of Hendrix's version of the National Anthem. Then they jumped into Kaine singing lead on a CCR tune before Abena Koomson-Davis took over for a couple of spirituals, which, as Tim pointed out, were songs that presented as gospels when what they were often singing about 175 years ago was freedom from slavery. We also got a Tim Kaine original, and the show finished up with a Stevie Wonder cover followed by Takin' It To The Streets by the Doobie Brothers.

It was an insanely good and uplifting night of music that cost me 1/2 of what Friday night cost. So yes, we did spend a lot of money this weekend. YOLO! Also, to tie the night to Friday in one other way, Michelle got wine dumped on her when the couple who we were sharing the 4-top knocked her full glass of wine over while attempting to be friendly and shake hands. Weirdly, they did not offer to replace the glass of wine, but the bartender replaced it gratis because the staff at Révéler is just that awesome.



The Dave Kline Band with Senator Tim Kaine

Author: From https://blog.odonnellweb.com • Jul 19th, 2026
   Category: Blog Entries.Local

The Dave Kline Band with Senator Tim Kaine

After Friday night's less-than-stellar experience, we tried again. Yep. It was a two-concert weekend for us. The day got off to a good start as I completed my first Bird Friendly Habitat Certification (not counting my own yard). So now we have two certified yards in Sandston! We got whacked by a severe thunderstorm around 4 PM and lost power around 4:15 PM. After a couple of hours with no power, I fired up the generator and plugged the fridge into it. It handled the fridge and saved me the hassle of trying to fill up coolers with ice and food. The power came back after about 5 hours while we were out.

So, back to the band. The Dave Kline band is an insanely talented jazz/blues/funk band, and I have no idea how Senator Kaine hooked up with them, but they play a few shows together every year. Kaine plays harmonica and sings, and he isn't bad. The theme for the night was celebrating Nelson Mandela's birthday, so all the songs centered around the concept of freedom. They started with Dave Kline doing his electric violin version of Hendrix's version of the National Anthem. Then they jumped into Kaine singing lead on a CCR tune before Abena Koomson-Davis took over for a couple of spirituals, which, as Tim pointed out, were songs that presented as gospels when what they were often singing about 175 years ago was freedom from slavery. We also got a Tim Kaine original, and the show finished up with a Stevie Wonder cover followed by Takin' It To The Streets by the Doobie Brothers.

It was an insanely good and uplifting night of music that cost me 1/2 of what Friday night cost. So yes, we did spend a lot of money this weekend. YOLO! Also, to tie the night to Friday in one other way, Michelle got wine dumped on her when the couple who we were sharing the 4-top knocked her full glass of wine over while attempting to be friendly and shake hands. Weirdly, they did not offer to replace the glass of wine, but the bartender replaced it gratis because the staff at Révéler is just that awesome.



Robert Jon & the Wreck at The Tin Pan

Author: From https://chrisod.weblog.lol • Jul 18th, 2026
   Category: Blog Entries.Local

Robert Jon & the Wreck at The Tin Pan

I have lived in RVA, and before that Fredericksburg, for over 20 years. I have looked at shows at The Tin Pan on multiple occasions. Every time I passed, because the idea of seeing a loud rock and roll show in a dinner club atmosphere just didn't appeal to me.

A couple of months ago, Robert Jon, one of my favorite artists, announced a show at the Tin Pan. He doesn't tour the East Coast that often, so I didn't think twice about buying tickets. In fact, I bought them a couple of days after going on sale. The Tin Pan only seats about 200 people. It's an intimate space, and there are not any bad seats. Only bad relative to the better seats in the place. It's allegedly first come, first served. The earlier you buy, the better your seats. Watch the video below. Does that look like one of the best seats in the house? The people we were sharing a 4-top with bought tickets at the last minute. Since they had the outside of the table, they had a better sightline than I did. I don't know why we were seated at one of the worst tables in the place, but clearly, they will play games with the first-come, first-served thing. So be warned if you ever plan to go to a show there.

The tickets were $45 each, $54 after fees. And then they impose a $15 minimum per person. I have no issue with minimums when there is no or a small cover charge. But if I've spent over $100 after fees to walk in the door, I do have an issue with a minimum. If I want to drink water all night after dropping $100 to get in the door, there should be no issue with that. Since we were forced to spend at least $30 there, we had dinner there. It was fine. You probably would not go there just for the food, but the portions were reasonable and the prices were slightly high but justifiable. More annoying was draft beer being $10 each.

My initial instincts about seeing a rock and roll show in a seated dinner theater atmosphere were right. The inability to get up and move with the music just put a damper on the feel of the night. The band was awesome. And I will give the Tin Pan credit for having a top-notch sound system. As a place to see a jazz trio or a girl at a piano, it would work fine. For a loud rock and roll show, it doesn't work. At least not for me. Robert encouraged us to "break the rules" and get up and dance for the encore song, and that song had the best vibe of the night.

Also, they auto-add a 20% service charge. I would have tipped 20% anyway, even if the server did dump food and water and my wife (she did.) My wife also witnessed a woman get her face smashed in the bathroom when someone pushed the door open, and it whacked some poor woman in the side of the head.

In summary, I spent $175 for us to see one of our favorite bands, and I'm not feeling great about that decision today. I don't think we'll be back to The Tin Pan.



Robert Jon & the Wreck at The Tin Pan

Author: From https://blog.odonnellweb.com • Jul 18th, 2026
   Category: Blog Entries.Local

Robert Jon & the Wreck at The Tin Pan

I have lived in RVA, and before that Fredericksburg, for over 20 years. I have looked at shows at The Tin Pan on multiple occasions. Every time I passed, because the idea of seeing a loud rock and roll show in a dinner club atmosphere just didn't appeal to me.

A couple of months ago, Robert Jon, one of my favorite artists, announced a show at the Tin Pan. He doesn't tour the East Coast that often, so I didn't think twice about buying tickets. In fact, I bought them a couple of days after going on sale. The Tin Pan only seats about 200 people. It's an intimate space, and there are not any bad seats. Only bad relative to the better seats in the place. It's allegedly first come, first served. The earlier you buy, the better your seats. Watch the video below. Does that look like one of the best seats in the house? The people we were sharing a 4-top with bought tickets at the last minute. Since they had the outside of the table, they had a better sight line than I did. I don't know why we were seated at one of the worst tables in the place, but clearly, they will play games with the first-come, first-served thing. So be warned if you ever plan to go to a show there.

The tickets were $45 each, $54 after fees. And then they impose a $15 minimum per person. I have no issue with minimums when there is no or a small cover charge. But if I've spent over $100 after fees to walk in the door, I do have an issue with a minimum. If I want to drink water all night after dropping $100 to get in the door, there should be no issue with that. Since we were forced to spend at least $30 there, we had dinner there. It was fine. You probably would not go there just for the food, but the portions were reasonable, and the prices were slightly high but justifiable. More annoying was draft beers being $10 each.

My initial instincts about seeing a rock and roll show in a seated dinner theater atmosphere were right. The inability to get up and move with the music just put a damper on the feel of the night. The band was awesome. And I will give the Tin Pan credit for having a top-notch sound system. As a place to see a jazz trio or a girl at a piano, it would work fine. For a loud rock and roll show, it doesn't work. At least not for me. Robert encouraged us to "break the rules" and get up and dance for the encore song, and that song had the best vibe of the night.

Also, they auto-add a 20% service charge. I would have tipped 20% anyway, even if the server didn't dump food and water and my wife (she did.) My wife also witnessed a woman get her face smashed in the bathroom when someone pushed the door open, and it whacked some poor woman in the side of the head.

In summary, I spent $175 for us to see one of our favorite bands, and I'm not feeling great about that decision today. I don't think we'll be back to The Tin Pan.