It seems like every time I get around to updating this thing, I preface it with ’sorry I’ve been away’ or some other excuse for not being a regular blogger. For a while I got hung up on Twitter and Facebook, both of which are simultaneously entertaining and eternally frustrating. I guess it speaks to the idea of digital overload and too many outlets and deciding where stuff should go – do I tweet this? do I put it on FB? do I blog about it?
Another reason for the lack of posts is that in my opinion I haven’t shot anything worth a damn in a very long time. I mentioned this to my boss the other day after spending two weeks as the photo editor while he was out of town. I said I felt like I had been shooting a few good assignments but nothing that really stands up beyond the next day’s paper. Perfectly serviceable pictures but easily forgotten.
A while back I thought it would be good to post a picture from every assignment – good bad or ugly. Well, let’s say I just couldn’t take the ugliness anymore! That and the paper instituted a new social media policy. It isn’t as draconian as some organizations however it was a bit ambiguous as to what I could post on this blog. What was clear was that I could not post stuff here before it runs in the newspaper. As it turns out, lot of the stuff I’ve produced lately has not been on deadline and when it finally does run, I forgot I even shot it.
And finally, the main reason is that I’ve been kind of depressed lately about the business in general and preoccupied with my place in it. I read on another blog – forgive me, I forget which one – a sentiment that really resonated with me, especially after hanging out with some old photographer friends from my college newspaper days. Of them all, I am pretty much the last one actually doing journalism. A few are commercial photogs but everybody else is onto other things. Anyway, the sentiment was that nobody ever got into photojournalism for the money. We knew we wouldn’t get rich but we had the expectation that we could make a living doing something we loved; connecting with people, taking readers to places they could not go to, opening them up to their neighbors, creating understanding, erasing ignorance or moving others to action. Not to mention it is just a cool job. What other job allows you to be in other people’s shoes every day? So we’ve got this job that we love doing it so much we often put it over our personal lives. We love it so much we keep doing it, even when it doesn’t love us back – and that is the part that hurts so much right now – is that no matter how much we get abused – furloughs, lay-offs, pay-cuts, doing more with less, some of us will keep coming back for more. Why? Because we believe in what we’re doing, we believe in the power of the storytelling, whether or not the newspaper business implodes around us. Unfortunately for many that resolve is crumbling. If you had told me ten years ago that I’d still be in newspapers. I would have rolled my eyes and said of course I will. I would have told you that not only would I be in newspapers but I’d be at the Washington Post or New York Times covering a war in some third-world hole, shooting meaningful pictures during the day and carousing with my fellow photographers at night.
Instead, I find myself questioning why I keep doing this. Why bother if the newsroom leadership is primarily concerned with keeping costs down and filling the news hole with content that is good enough instead of being relevant to our readers? As long as I can do it in 40 hours – excuse me, 37.5 hours now – per week, that will be sufficient. Bang out a few portraits because there isn’t enough time to actually cultivate a story, hit up some prep sports, do a drive-by building mugshot or a quick-hit picture of some construction. Wait, haven’t we done that story? Doesn’t matter? OK, put it in the paper anyway. Do more with less? Two plus two now equals five? Of course it does, but only if you manage your time better. Thank you sir, can I have another?
The reason I return, black-eye after black-eye, is that I can’t figure out what the hell else to do. Sit in a cube, pushing papers or crunching data? No thanks. I’ve done my time in a cube-farm and I’ve shot enough portraits of cube-dwellers to know that is a slow death in the American gulag. So here it is, the rub: I think I’ll probably go down with this ship of fools if only because I still believe.